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Description
Filmed over a span of 8 years, this film is based on dialogue between Zulay Saravino, an indigenous Otavaleña of Equador, and Mabel Prelorán, an Argentine anthropologist living in Los Angeles. The Otavalo Indians are industrious landowners and farmers who have also transitioned somewhat to a textile-based economy, selling handwoven garments to tourists at markets in Quito. The film shows the beautiful mountainous landscape of Zulay's home and the...
10) Returning Souls
Description
The carved pillars of the matrilineal Amis tribe's famed ancestral house recount tribal legends such as The Great Flood and The Glowing Girl, and are home to the ancestral spirits of the Amis. The pillars, however, were removed from the village for exhibition in Taiwan's Institute of Ethnology Museum after a typhoon toppled the house 40 years ago. This film follows a group of young Amis who seek to restore their people's connection with their ancestors....
Author
Description
"Jon Ronson meets David Grann in this fascinating, wildly entertaining adventure and travel story about how culture can make us go totally insane The Geography of Madness is an investigation of "culture-bound" syndromes, which are far stranger than they sound. Why is it, for example, that some men believe, against all reason, that vandals stole their penises, even though they're in good physical shape? In The Geography of Madness, acclaimed magazine...
Description
Jean Rouch is known to many worldwide as a French anthropologist and innovative filmmaker. Much of his work is linked to the birth of cinéma vérité. However, Rouch's fifty-year involvement with a particular group of people in Niger shines a more personal light on his work - one of friendship and collaboration. Together with this group, Rouch made numerous ethnographic films and developed their own cinematographic style. These films have been termed...
Description
This series of five films by Melissa Llelewyn-Davies looks at daily life among the Maasai. The films are presented as a diary of a 7-week visit to a single village. The structure is episodic and the content dependent on various events or stories, some of which are developed through more than one film. The tapes can be used independently or together, to give an in-depth sense of Maasai life. The senior man in the village is the most important Maasai...
Description
Originally filmed as an archival record of a Warlpiri (Walbiri) ceremony in 1967 by Roger Sandall, the film footage was re-worked 10 years later by anthropologist Nicolas Peterson and filmmaker, Kim McKenzie, to make this short version for public viewing. Involving large numbers of both men and women, Ngatjakula is one of the most spectacular ceremonies of central Australia, employing fire, and several days of singing and dance, to resolve conflicts...
Description
This film is a fine example of the many films that Roger Sandall made for the Institute of Aboriginal Studies in which he recorded Aboriginal craft techniques and skills, in this case, the process by which two men, Djurkuwidi and Wangamaru, work together to make a bark canoe. Near the end of the Wet season, in the coastal swamps of Buckingham Bay in Arnhem Land, thousands of magpie geese fly in to build nests in the reeds. Canoes are used to travel...
20) Lurugu
Description
Made at the request of the people of Mornington Island, this film was the first of five made by Curtis Levy for the Australian Institute of Aboriginal Studies (now AIATSIS). Lurugu is the name of an initiation ceremony that had almost died out on Mornington Island (in the Gulf of Carpentaria in north Queensland) after mission contact during World War One. This film records the community's efforts to revive the ceremony after a lapse of 14 years. Before...
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