Renoir is inspired to paint "Luncheon of the boating party" when his other work is criticized by Emile Zola, and while doing so is drawn into lives of the thirteen people featured in it as they enjoy a Parisian summer during the late 1800s.
A vividly rendered portrait of both the rise of Impressionism and of Monet, the artist at the center of the movement. It is, above all, a love story of the highest romantic order.
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