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In this book the author transports readers to the dawn of the Renaissance and chronicles the life of an intrepid book lover who rescued the Roman philosophical text On the Nature of Things from certain oblivion. In this work he has crafted both a work of history and a story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it. Nearly six hundred...
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Walter Pater (1839-1894) attained a B.A. degree in Classics from Queen's College, Oxford, followed soon after by a M.A. degree from Brasenose College, Oxford, where he was made a Fellow in 1865. That same year Pater toured Italy, where he discovered what would become a lifelong passion for masters of the Italian Renaissance like Leonardo da Vinci, Sandro Botticelli, Michelangelo, among many others. In 1877 he published "The Renaissance: Studies in...
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"A novel set in Renaissance Italy, and centering on the captivating young duchess Lucrezia de' Medici"--
Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Moderna and Regio, Lucrezia...
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If there is one genre of art that seems to have played a greater role than any other, it is the nude. For at least 30,000 years, humans have represented the naked form in a variety of ways. From the ideal to the real, the romantic to the surrealist, there have been almost no end of works devoted to the unclothed human body. This series - presented by writer and broadcaster Tim Marlow - will examine those artworks, the societies that produced them...
8) Dante
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Most notable for his vast poem, The Divine Comedy, Dante's work continues to resonate with audiences today. Filmmaker Malcolm Hossick uncovers the Italian poet's background and his influential work from the Renaissance period.
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As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life. 'Michelangelo, God's...
10) Midnight magic
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In Italy in 1491, Mangus the magician and his apprentice are summoned to the castle of Duke Claudio to determine if his daughter is indeed being haunted by a ghost.
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If there is one genre of art that seems to have played a greater role than any other, it is the nude. For at least 30,000 years, humans have represented the naked form in a variety of ways. From the ideal to the real, the romantic to the surrealist, there have been almost no end of works devoted to the unclothed human body. This series - presented by writer and broadcaster Tim Marlow - will examine those artworks, the societies that produced them...
16) Romola
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Romola is a brilliant young woman who unknowingly falls in love with a handsome stranger whose true nature is fueled by greed, status and ego. Over the course of the novel, she uncovers his many transgressions and secret dealings.
A handsome stranger called Tito Melema arrives in Florence and is immediately smitten by Romola, the daughter of a local scholar. The two eventually marry as Tito gains access to various social circles. He becomes an influential...
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"One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white...
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In his monumental Critique of Pure Reason, German philosopher Immanuel Kant (1724–1804) argues that human knowledge is limited by the capacity for perception. He attempts a logical designation of two varieties of knowledge: a posteriori, knowledge acquired through experience, and a priori, knowledge not derived through experience. Kant maintains that the most practical forms of human knowledge employ a priori judgments that are possible only when...
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