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Description
"We pray to our ancestors but we do not worship them. You, you need an intermediary, the priest. But for us, our intermediary is the ancestor who is sitting next to God," says Poundé, the old Cameroonian ethnologist, to the young Jewish director from Canada. And with this conclusive statement, everything becomes clear: the funerals in memory of "the dead who are not dead" organized several days or even years following the burial, the chants, brass...
Description
Every year, in the colonial city of Antigua, Guatemala, the "sorrowful way" of Good Friday is recreated by a path of colored sawdust and flower petals. Along this road several hundred people take turns carrying a ponderous mahoganybier. Indians from the surrounding countryside come to observe the spectacle of townspeople garbed in Biblical and Roman military uniforms.
Description
Sons of Shiva is a sustained attempt to film a four-day ceremony concerned with the worship of Shiva. Devotees of the God Shiva are shown from the initial taking of the Sacred Thread through gradually intensifying action to a culmination in a variety of ascetic and self denying practices.
Description
To Serve the Gods is about the beliefs, rituals and performances of a week-long ceremony given by a Haitian family in honor of its ancestral spirits. We are told at the outset of the film that this sevis loua only occurs every twenty to thirty years. This particular service takes place in a rural community in southern Haiti, on family land, where relatives have gathered to propitiate gods inherited by their ancestors.
Author
Description
Presents volume nine of a fourteen-volume series on World Religions exploring the origin, development, and traditional beliefs of Native American religions including their ceremonies and rituals, common traits shared between several tribes, and the relationship between Native American religions and Christianity.
11) Monday's Girls
Description
Monday's Girls explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity. Ngozi Onwurah, director of such feminist classics...
12) Good-bye old man
Description
At the request of a dying Tiwi man and his family on Melville Island, this film was made of the pukumani (bereavement) ceremony to follow his death. The film observes the family through the long period of preparation for the ceremony, following age-old traditions. Dancing and face-painting are rehearsed, to the family's satisfaction, and because "things should be right for this film". For the two days of ceremony, the community moves to Carslake Beach...
Description
Originally filmed as an archival record of a Warlpiri (Walbiri) ceremony in 1967 by Roger Sandall, the film footage was re-worked 10 years later by anthropologist Nicolas Peterson and filmmaker, Kim McKenzie, to make this short version for public viewing. Involving large numbers of both men and women, Ngatjakula is one of the most spectacular ceremonies of central Australia, employing fire, and several days of singing and dance, to resolve conflicts...
Description
The Women's Olamal follows the events that preceded a controversial ceremony in Loita, Kenya, to bless the women and to increase their ability to have children. This film, presented in observational style with limited commentary, depicts some of the tensions between men and women in Maasai society which, in this case, erupt in a violent row between them.
Description
For centuries, rice farmers on the island of Bali have taken great care not to offend Dewi Danu, the water goddess who dwells in the crater lake near the peak of Batur volcano. Toward the end of each rainy season, the farmers send representatives to Ulun Danu Batur, the temple at the top of the mountain, to offer ducks, pigs, coins and coconuts in thanks for the water that sustains their terraced fields.
Description
The Last Rites of the Honourable Mr. Rai is a film about the cremation of a longtime resident of the holy city of Varanasi. This film, made at the request of the Rai family, is possibly the most detailed and respectful study of the Hindu rites of cremation on the sacred banks of the river Ganga at the historic Harish Chandra Ghat. With no invasive narration but with inter-titles and subtitles the film enables the viewer to see, hear and experience...
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